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Reason as treason

Thinking is a worthy thing, but it’s no good when it becomes everything. Philosophy is fun, and discussion is valuable, but living on both alone is like spending your time reading recipes and food criticism and never actually tucking in to the sucker.

DOING is the key word here. The opportunities for passive entertainment are endless. TV, radio, Internet, DVD, Xbox. The real worry is when the passivity of sit-down, play along becomes an imitation of action. If we want to save the dolphins, we just make a group on Facebook, then try to make a chain mail to get a billion signatures to the Japanese Prime Minister, xpost to LJ, make a note on Twitter and use our inbuilt webcam to make a video of ourselves talking about how terrible it all is. This is the world of Slacktavism, of armchair activism. You can meet people online, chat, make money, order food. It all has the appearance of doing stuff – but it’s not.

It’s for this reason that prominent Discordian, Professor Cramulus’s term Activitist struck a chord.

An Activitist (not to be confused with an activist) is an active proponent of activities. Activitism is the opposite of being passively entertained. An activitist seeks to engage his or her environment as opposed to merely being a consumer, an observer, a member of the audience.

In a sense (in a kind of Jungs theory of opposites kind of way) it politicizes the very act of doing. The search for active entertainment, as opposed to passivity is transformed from some thing people do to a communal identity.

A group who largely embodied this spirit, though are now defunct, were the San Francisco Suicide Club, a prelude to the Cacophony Society and the Billboard Liberation Front, with members involved in the birth of Burning Man. This group held a number of events, based on gaining new experiences. From their site;

Events generally fall into three categories: Adventures, infiltrations, and stunts. As you may notice… no WHY or PHILIOSOPHY is attached…

No why or philosophy is attached… It’s not that there was no thought or reason or philosophy at all. There’s a generally explicit intention, but all of the why, the pondering, the musing and discussion comes after the fact. Before that, it’s all action.

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SF0

With the heat reaching towards 30, with a day as yet unscheduled, I trekked up a long dirt path in the sun in Dulchara National Park until I reached an abandoned train tunnel, ran through it, then walked home. 15 points.

The run was a task (find something that can be run through, and run through it) from an online game called SF0. The game is structured very similarly to one such as WoW; players operate in a large scale map (originally San Francisco, hence SF, now only limited to the Earth) working alone or collaboratively to achieve goals with the aim of leveling up. The difference is that the game is built not on the escapism of the real world, but on forging new relationships with the physical world, developing a new interaction with ones environment by responding to it in new and innovative ways.

Players are asked to explore their environment, to go on long journeys (derive, straight line) to add to and manipulate their surroundings (create public art opportunities, install a coloured light bulb) and to share and interact with fellow players (tasks are developed, submitted and voted for by player, and each completed task must be evidenced online.)

So why would one need to join an online group to get up and interact with their urban environment? Can’t you go around changing light bulbs and launching ambitious art projects without the need to ‘level up’? You can, obviously, but to simply flit between solo endeavors misses the point of Real World Gaming. These games, like parkour, guerrilla gardening or activist groups maintain the construction of community, based on common action, in this case through the medium of games and tasks. Sure, you could get the same kind of scenario from a group of gamers leveling up for finding virtual lost treasure, but SF0 adds in the element of exploring means of engagement with the outside world; and anyway, who wants 100 virtual gold for killing a paladin when you can get 15 virtual points for feeding a pig a pancake?

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Discordian Music

Last FM

Discordian Listening Habits

EyeofSaulot is a Last.FM user, one who recently became the proud new owner of the Discordians Last.FM group.

I threw him a few questions and he threw back a few answers. I’ve added a few links so you can find a couple of the bands he namedrops.

PD: What qualifies a band as ‘discordian’? Does anything disqualify a band?

EoS: Well, seeing how everyone in the world is a pope of Discordian, every band is a Discordian band (however unwittingly). But if you want to identify musicians who more wittingly promote the philosophy of chaos, I would go with the anarcho-punks and experimental artists.

PD: What do you think the role of music is in Discordianism, and religion in general?

Many religions have an obsession with proselytism, and with good reason. Proselytism is a necessity for established organized religions that have a mind for self-preservation, because the more people you have in your religion (read: likeminded individuals) the more chance you’ll be part of the political entity in power, because, the larger the religion, the more likely it will *become* the political entity in power. If Tibetan Buddhists were the kind to proselytize and market their religion, perhaps they could have grown into such a large entity that China wouldn’t have such an easy time kicking them around. Sure, the idea of marketing something as pure as Tibetan Buddhism is utterly revolting, but I’m simply making a point here.

So, back to what I was saying, many religions have an obsession with proselytism, and one (rather successful) medium for this is music. I’ve noticed that people and, even more particularly, impressionable kids have a tendency to respond positively to Christian messages or Christian undertones in popular music, whether that message comes from the frequent praises of God in the pop country out of Nashville, Biblical references in mallcore metal, or simply a shout-out to Yahweh at an MTV music awards show. For the already Christian, it helps to enforce their beliefs, and for the uninitiated, it makes them feel like their missing out or that they’re less like their favorite music artist than they thought they were, which could result in a conversion.

But seeing as how everyone in the world is a Discordian Pope, there’s no need for Discordian proselytism in music or otherwise. We’re kind of like the Unitarians, except where they simply accept any and all creeds, we casually encompass them. We don’t try to force a conversion on anyone; we merely inform people of their status in our religion. It’s a lot less confrontational. Well… sometimes.

In short, Discordianism doesn’t need music and music doesn’t need Discordianism. But it’s there because, well, why not?

PD: Who would you consider the ‘most discordian’ band/artist, and why?

EoS: The most mind-boggling, chaotic musical experience I’ve subjected myself to has been with the French-Canadian avant-garde metal band Unexpect (most particularly with their album “In a Flesh Aquarium”). I’m sure there’s even wackier music out there, but I haven’t found it yet. In a related note, “In a Flesh Aquarium” is among my favorite albums of all time and it comes highly recommended by me.

PD: Who would you pick if you had the chance to select players for a Discordian Supergroup?

Vocalists: Jello Biafra (Dead Kennedys, Melvins, etc.) and Mike Patton (Mr. Bungle, Fantômas, etc.)
Warr Guitar: Colin Marston (Behold… the Arctopus)
Bass: Tony Choy (Atheist, Cynic)
Saxophone: Jørgen Munkeby (Shining (Nor))
Violin: Carla Kihlstedt (Sleepytime Gorilla Museum, Tin Hat, etc.)
Piano: Zombie Thelonious Monk
Drums: Asgeir_Mickelson (Spiral Architect, Ihsahn)
Samples: cEvin Key (Skinny Puppy)

Obviously, this would only be the initial line-up, as their revolving door ways would make them replace every member every day. Thus nothing would ever get recorded and when they jammed it would be a giant, unlistenable cacophony only Eris could appreciate.

PD: What are some bands you’re personally currently into and why? (Not necessarily Discordians)

Dead Can Dance, Ihsahn, Jay Munly, Sigh, Gogol Bordello, Bolt Thrower, Electric Wizard

And why? Well, I generally consider myself a metalhead hence the genres of four of the seven aforementioned bands, but I’ve come find something or some band to enjoy in every umbrella genre (subgenres are a different story). It’s all about diversity. Not everything can be explicitly Discordian when alone, but when mixed up and jumbled about, they can become explicitly Discordian together.

That said, I’m a complete Greyface about the “shuffle” option in any music player and flat-out refuse to use it.

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Intermittens: Call to Arms

The Intermittens Magazines

As is evidenced by this image WORDS are my good point.

I’ve spent some time exploring the Principia Discordia forums recently looking through the GASM discussions. It’s very interesting looking though the formative discussions that were the beginning of what are probably some of the most exciting projects in Discordia at present.

One of these is Intermittens (of which I’ve recently churned out a copy). Number 11 is presently in development, possibly more than that.

During these formative discussions, there was a bit of a debate going on about who Intermittens was for. Was it simply a PD project? Or was it bigger than that? Should it be made easier for people to participate in Intermittens without being part of PD, or should they just get into gear, get with the program and get an account?

I’m very passionate about Intermittens, mostly because I think it’s probably the most engaging, community centered project in Discordia at present. My view is that it belongs to Discordia in all its forms, to every Discordian in every nation, over every ocean, hiding in every cupboard!

Intermittens has hit double figures. Just by reading through a few copies you can watch it evolve and mutate into an interesting and bizarre creature, with each edition expanding and modding what has come before.

I would like to take this moment to invite EVERYONE to participate in Intermittens. You can participate by submitting writing or images, by electing to edit an edition, or just by submitting your ideas. This is a call to arms and hairy legs, for all Discordians to rise up and become a part of this very interesting and engaging project.

Where do you start? Well, while I have just emphasized that I don’t think PD.com should BE Intermittens it IS a fantastic starting point, not least because that will put you in contact with the people who have already done this. Bang out an account and post your honorable intentions in the appropriate area.

If you don’t want to collaborate through forums, I can suggest you check out Discordian groups on Facebook, Livejournal or elsewhere. There’s a good many communities about who can be in on this.

Finally, I monitor the Intermittens email at present; Intermittens at gmail.com.  Send articles, artwork, requests for info, or provide advice for IM readers/writers (I’ll be using these to compile an ‘info pack’ to send out.)

(Edit: The best place to submit on the IM site is the FORUM.)

by concentrating on goals
without playing ego games,
much can be accomplished.

Chao Te Ching, Cp 60.

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Intermittens 10 Now Out

Mary Toft by Mel Roach

Intermittens 10, edited by Placid Dingo

Well, I say it’s done!

Also, introducing the Intermittens ‘Letters to the Editor’ email address:  Intermittens@gmail.com.

Inter Mittens 10

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